@inproceedings{Hensman2016,

title = {We Think \textendash Therefore We Are},

author = {Jim Hensman},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-480},

doi = {10.3233/978-1-61499-690-3-480},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {480-489},

publisher = {IOS Press},

abstract = {Future developments in AI and robotics, brain interfaces, the Internet and virtual and augmented reality, will make possible new types of integration of humans and machines which will change how we think, learn and live. This paper uses a story about a future scenario involving systems of this kind to respond to crises and disasters to explore the possibilities of collective intelligence and consider some of the deeper issues and challenges relating to the relationship between humans and machines.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Wu2016,

title = {From Imagination to Innovation: A Creative Development Process},

author = {Hsuan-Yi Wu and Vic Callaghan},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-514},

doi = {10.3233/978-1-61499-690-3-514},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {514-523},

publisher = {IOS Press},

abstract = {This paper is concerned with models of the innovation process. It takes the perspective that innovation is a non-linear process where development paths emerge from the process of \'{i}magining' and 'doing', iterating around in evolutionary cycles until a satisfactory innovation emerges. To support this we have developed a model of the innovation process called Creative Innovation Development (CID), which integrates an evolutionary ideation process (an augmented version of science fiction prototyping) with agile development. The paper describes the working of the model and its components. We illustrate the operation of CID by describing how it is being utilised by a start-up company, Liv-ingPattern Technology Inc. Finally, the paper concludes by presenting future directions for our work.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kymalainen2016,

title = {Creative Prototyping as an Inter-Dimensional Portal Between Disciplines},

author = {Tiina Kymalainen},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-470},

doi = {10.3233/978-1-61499-690-3-470},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {470-479},

publisher = {IOS Press},

abstract = {This paper uses a narrative literary study to discuss how the science fiction prototyping method has been applied so far in different disciplines, including technology and engineering research (specifically Intelligent Environment research), foresight, futures-and business studies. Then the paper presents very similar practices in human-computer interaction, entitled as e.g. critical design, speculative design and design fiction. After that, the paper focuses on their common denominator, scenario planning and scenario design, and deliberates briefly on how the creative, future-oriented prototyping differs from them. The main contribution is to propose a conversional tool-an inter-dimensional portal-for all the involved disciplines that is aimed at uniting their forces and passion for science fiction-for the greatest benefit of all mankind.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{nokey,

title = {The Pain Gods},

author = {Jennifer O'Connor},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-490},

doi = {10.3233/978-1-61499-690-3-490},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {490-497},

publisher = {IOS Press},

abstract = {The short story entitled "The Pain Gods" defines a future where the protagonist designs a set of contact lenses which hold the ability to allow someone to revisit their fondest memories. Present also in this futuristic world are the Pain Gods, robotic-like figures who run all government buildings and organisations. The story encapsulates the human instinct for love in direct comparison to the Pain God's desire for innovation above all else. The story describes a future in which emotion-driven human enterprise processes may become misused in order for the mass creation of personified products.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Zheng2016,

title = {Diegetic Innovation Templating},

author = {Ping Zheng and Vic Callaghan},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-498},

doi = {10.3233/978-1-61499-690-3-498},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {498-505},

publisher = {IOS Press},

abstract = {In this paper we describe a process called Diegetic Innovation Templating (DiT) whereby science fiction and fantasy stories are used as a systematic source of ideas for design and product innovation. We also introduce a concept called the Diegetic Gap which acts a metric for assessing how compatible a particular piece of fiction is to a given innovation space. We illustrate the Diegetic Innovation Templating process using an example from a fashion house that specializes in creating leading-edge designs for women's clothing.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Bennett2016,

title = {Dark Future Precedents: Science Fiction, Futurism and Law},

author = {Michael Bennett and Brian David Johnson},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-506},

doi = {10.3233/978-1-61499-690-3-506},

year  = {2016},

date = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

pages = {506-513},

publisher = {IOS Press},

abstract = {In the next decade a collection of technological and biological advances will enable incredible breakthroughs. These advances will also reveal perils, threats and problems that have yet to be imagined. In the legal domain strategic passivity may be the tradition, but it will only become more expensive. Disruptive global trends in innovation and technological development, increased needs for artificial and natural catastrophe risk management, and more complex domestic and transnational regulatory ecologies make reactivity impractical. Futurism, long term strategic foresight and particularly futurecasting paired with science fiction prototyping are effective tools to model and begin exploring these possible futures and their implications. The intersection of science fiction, futurism and the law gives firms the tools to not only imagine and understand possible futures but also lays out the specific steps that clients need to take to be ready for the complex legal and business realities that are coming.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Yang2016,

title = {i-Ribbon: Social Expression Through Wearables to Support Weight-Loss Efforts},

author = {Nan Yang and Gerbrand Van Hout and Loe Feijs and Wei Chen and Jun Hu and Obesity Centre Catharina Hospital},

editor = {Vic Callaghan and Chantel Dan Chen and Jeannette Chin and Jennifer O'Connor and Marc Davies and Simon Egerton and Gary Graham and Jim Hensman and Brian David Johnson and Yevgeniya Kovalchuk and Paul McCullagh and Anasol Pena-Rios and Alin Tisan and Hongmei Wang and Hsuan-Yi Wu and Victor Zamudio and Shumei Zhang and Ping Zheng},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-61499-690-3-524},

doi = {10.3233/978-1-61499-690-3-524},

isbn = {9781614996903},

year  = {2016},

date = {2016-01-01},

urldate = {2016-01-01},

booktitle = {In Proceedings of the 6th Workshop on Creative Science (CS'16)},

journal = {Intelligent Environments 2016},

volume = {21},

issue = {September},

pages = {524-533},

publisher = {IOS Press},

abstract = {Many research prototypes and commercial wearable devices have features for detecting health-related data and providing feedback or reflection to their users. However, due to the development of social network and Internet of Things, the social aspects of wearable devices could be far more enriching. In this paper, we describe the concept, design and implementation of i-Ribbon, a wearable ribbon to show a user's weight-loss efforts. i-Ribbon has two types of function: to symbolize the support of weight-loss efforts, and to present the user's amount of physical activity. These features provide a subtle social channel for people who are struggling with overweight to show their efforts and determination, especially before they obviously become less overweight. Prototypes have been made to evaluate the concept. Feedback from participants has been collected and analysed. We summarize the findings and discuss the options for future work.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Callaghan2014,

title = {Micro-Futures},

author = {Vic Callaghan},

editor = {Vic Callaghan and Brian David Johnson and Simon Egerton and Hsuan-Yi Wu and Anasol Pena-Rios and Shumei Zhang and Ping Zheng and Gary Graham and Anita Greenhill and Jennifer O'Connor and Jeannette Chin and Minjuan Wang},

doi = {10.3233/978-1-61499-411-4-256},

year  = {2014},

date = {2014-07-01},

booktitle = {In Proceedings of the 4th Workshop on Creative Science 2014 (CS'14)},

pages = {256-267},

publisher = {IOS Press},

abstract = {One of humankinds oldest quests has been to find the ‘elixir of life’, a mythical potion that, would grant the drinker immortality (and preferably, eternal youth!). One of the most famous tales of a search for this fabled tonic was that of the first emperor of a unified China, Qin Shi Huang (246 BC. to 210 BC), who, in the latter part of his life, is said to have become preoccupied with finding this illusive concoction. This article is presented at a workshop that is taking place in the heartland of what was Qin Shi Huang's empire (China), and touches on a modern day search for an elixir of life, this time a high-tech approach based on computers and artificial intelligence technology, that goes by the name of ‘The Technological Singularity’. However, as fascinating as a search for an elixir of life may be, the real motivation of this paper is to introduce micro-fiction as a methodology for capturing and communicating visions for scientific, business and societal innovations. To those end, The Technological Singularity is described and used as a means to illustrate the workings of micro SciFi-Prototyping (micro-SFPs).},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kym\"{a}l\"{a}inen2014,

title = {White Knights of the Smart City},

author = {Tiina Kym\"{a}l\"{a}inen and Farrukh Sahar and Jarmo Palviainen},

editor = {Vic Callaghan and Brian David Johnson and Simon Egerton and Hsuan-Yi Wu and Anasol Pena-Rios and Shumei Zhang and Ping Zheng and Gary Graham and Anita Greenhill and Jennifer O'Connor and Jeannette Chin and Minjuan Wang},

doi = {10.3233/978-1-61499-411-4-223},

year  = {2014},

date = {2014-07-01},

booktitle = {In Proceedings of the 4th Workshop on Creative Science 2014 (CS'14)},

pages = {223-234},

publisher = {IOS Press},

abstract = {In this paper we will demonstrate how a science fiction storyboard was used as a means for delivering and discussing future technology and design innovations. We present a case in which an illustrated storyboard exemplified the interactions of an experienced-centered technology design concept \textendash a winter caretaking system for a smart city and two devices that could assist its citizens. In the science fiction introduced, the emphasis is on the experience-centered design approach, particularly experiences relating to nurture, sympathy and control.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Zybura2014,

title = {Science Fiction Prototyping as a Tool to Turn Patents into Innovative Marketable Products},

author = {Jan Zybura},

editor = {Vic Callaghan and Brian David Johnson and Simon Egerton and Hsuan-Yi Wu and Anasol Pena-Rios and Shumei Zhang and Ping Zheng and Gary Graham and Anita Greenhill and Jennifer O'Connor and Jeannette Chin and Minjuan Wang},

doi = {10.3233/978-1-61499-411-4-235},

year  = {2014},

date = {2014-07-01},

booktitle = {In Proceedings of the 4th Workshop on Creative Science 2014 (CS'14)},

pages = {235-246},

publisher = {IOS Press},

abstract = {Science Fiction Prototyping (SFP) has a lot of potential as a tool to help turn patents into innovative marketable products. The underlying assumption of this paper is that many patents from research institutions and corporations alike lie idle when it comes to their actual realization and commercialization as real products. The conceptual paper focuses on patents that are already application-centric and constitute a technology prototype. Despite technological foresight and trend analyses gaining increasing momentum and attention in theory and practice, we anticipate a lack of creativity and future context in opportunity identification following invention. Whereas traditional methods focus on product prototypes and technological foresight, context prototypes gain substantially less attention. The paper derives a conceptual framework that addresses this gap and introduces SFP as a tool to foster commercialization efforts and business innovation. Its contribution is threefold: We explore new ways of how to spot new capitalization opportunities on patents, suggest SFP as a strategic tool to provide a more structured way of creative thinking to seize future market opportunities and aim at supporting SFP as an increasingly sophisticated method in technology forecasting and future science.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Liu2014,

title = {Some Thoughts About the Future of Intelligent Buildings and Smart Transportation},

author = {Peng Liu and Shumei Zhang},

editor = {Vic Callaghan and Brian David Johnson and Simon Egerton and Hsuan-Yi Wu and Anasol Pena-Rios and Shumei Zhang and Ping Zheng and Gary Graham and Anita Greenhill and Jennifer O'Connor and Jeannette Chin and Minjuan Wang},

doi = {10.3233/978-1-61499-411-4-247},

year  = {2014},

date = {2014-07-01},

booktitle = {In Proceedings of the 4th Workshop on Creative Science 2014 (CS'14)},

pages = {247-255},

publisher = {IOS Press},

abstract = {With the ever-accelerating advances in science and technology, it seems that almost any dream in the science fiction can become true. This paper discusses two topics that are closely related to our daily life; buildings and transportation. Although the paper was inspired by Science-Fiction Prototyping (SFP), rather than using a conventional story based approach I have adopted an essay-style to extrapolate forward my thoughts on current living conditions and trends of technology development, to explore various possibilities for future buildings and transportation For example, I present ideas for an intelligent building concept motivated by the behavior of sunflowers to improve the regulation of natural light and heat absorption in buildings. In addition, I have mused on a possible solution to current traffic congestion problems. The motivation for these ideas is to make our life more convenient and comfortable in the future.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kovalchuk2013,

title = {The Programmer and the Widow: Exploring the Effects of Total Immersion in Augmented Realities},

author = {Yevgeniya Kovalchuk},

editor = {Jeannette Chin and Vic Callaghan},

doi = {10.3233/978-1-61499-286-8-284},

year  = {2013},

date = {2013-07-01},

booktitle = {In Proceedings of the 3th Workshop on Creative Science 2013 (CS'13)},

pages = {284-293},

publisher = {IOS Press},

abstract = {Have you ever wished to know and actually feel what your friends feel so you could help them better? Or maybe you have wondered how it is to be one of those celebrities you admire? And how about to become an apple for example? To experience lazy days of hanging on a tree enjoying sunshine and being washed by rains? Or maybe it feels the opposite \textendash a hard life of fighting against worms, decay, and poor weather conditions? What is that thing that makes us feel ourselves and being aware of the boundaries of our body? Can an iPhone we hold in our hands become a part of our body image? Can its processor unit become part of our brain, while various sensors embedded into it become part of our nervous system? So what if so you wonder? An answer follows.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Callaghan2013,

title = {The Maker Fables},

author = {Vic Callaghan},

editor = {Jeannette Chin and Vic Callaghan},

doi = {10.3233/978-1-61499-286-8-306},

year  = {2013},

date = {2013-07-01},

booktitle = {In Proceedings of the 3th Workshop on Creative Science 2013 (CS'13)},

pages = {306-313},

publisher = {IOS Press},

abstract = {This Science Fiction Prototype explores the idea that the current interest in maker space activities could continue to grow to the point that it causes a sea change in the manufacturing industry as it shifts from centralised production in factories, to a distributed production in people's communities or homes. This move is a natural extension of a number of research trends, such as the increasing ability to personalise products and the popular trend of making or adapting things. We contextualise this within current concepts such as virtual appliances and buzz-boards and micro industries before presenting a series of vignettes that take a potpourri look at some related ideas. Finally, we conclude the article by reflecting where this technology could go in the future.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kym\"{a}l\"{a}inen2013,

title = {IF Alice Arrives, THEN Wonderhome Incites},

author = {Tiina Kym\"{a}l\"{a}inen},

editor = {Jeannette Chin and Vic Callaghan},

doi = {10.3233/978-1-61499-286-8-262},

year  = {2013},

date = {2013-07-01},

booktitle = {In Proceedings of the 3th Workshop on Creative Science 2013 (CS'13)},

pages = {262-273},

publisher = {IOS Press},

abstract = {The science fiction prototype ‘Alice's incitements in Wonderhome’ introduces an intelligent home for the aged that provide motivational and personalized activities, assistance, and memory support. The prototype is based on two intelligent environment research studies: 1) a study that constructed a do-it-yourself creation and configuring tool into a nursing home environment, and 2) a study that aimed at finding means for seniors to compose their memoirs. The science-fiction prototype highlights important results of both studies by emphasising the motivational aspects of configuring the environment. It further describes new interaction mechanisms afforded by future technologies and novel research opportunities for the cloud of things.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Huang2013,

title = {The Programmer and the Widow: Exploring the Effects of Total Immersion in Augmented Realities},

author = {Yu Huang and Hsuan-Yi Wu},

editor = {Jeannette Chin and Vic Callaghan},

doi = {10.3233/978-1-61499-286-8-274},

year  = {2013},

date = {2013-07-01},

booktitle = {In Proceedings of the 3th Workshop on Creative Science 2013 (CS'13)},

pages = {274-283},

publisher = {IOS Press},

abstract = {In this Science Fiction Prototype (SFP) we explore the world where augmented realities are realised through bionic lens. People live in the virtual and physical complex where total immersion brings possibilities beyond living and death. However the somewhat immortality of life does not create happiness but emotional tangle to real human beings, especially when it comes to the sense of ‘touch’. Besides from the effects, some business innovation is seen in the SFP. For example, the protagonist in this story plays an important role in the future as holographic projection programmer, which represents a new booming job in this futuristic world. They are given the power and skills to create fascinating scenarios and objects for demanders based on their requirements as if they are ‘the one’ to design and build the world.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Hensman2013,

title = {The Turin Shroud},

author = {Jim Hensman and Ian Upton},

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

urldate = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Pena-Rios2013,

title = {Stories of the Virtual Mind},

author = {Anasol Pena-Rios and Emmanuel Ferreyra-Olivares and Alejandra Pena-Rios },

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

urldate = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Sanchez-Lozano2013,

title = {Storyweavers},

author = {Carlos Sanchez-Lozano},

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Callaghan2013b,

title = {The Dream Machine},

author = {Vic Callaghan},

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{McCullagh2013,

title = {Ureka Potential},

author = {Paul McCullagh},

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Fletcher2013,

title = {Science Fiction Prototypes in Educational and Business Settings},

author = {Gordon Fletcher and Anita Greenhill and Marie Griffiths and Rachel McLean},

editor = {Vic Callaghan and Marc Davies and Michael Gardner and Anasol Pena-Rios},

year  = {2013},

date = {2013-01-01},

booktitle = {In Proceedings of the 2013 Workshop on Creative Science},

publisher = {Journal of Immersive Education (JiED)},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Choudury2011,

title = {What happens next? Science communicators and the future tense Invited Talk},

author = {Sumit Paul-Choudury},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-95},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {95},

publisher = {IOS Press},

abstract = {There are relatively few scientific or technology breakthroughs whose significance is immediately and widely apparent. Without context, most scientific or technological developments run the risk of seeming trivial or irrelevant in the eyes of the general public. Historical context helps explain the nature of a discovery or innovation; but explaining its significance frequently requires a degree of extrapolation, notably descriptions of potential consequences and ramifications. communicators thus almost always need to include an element of forecasting in their presentations of research findings \textendash typically based on researchers' own thinking about where their work may lead. This talk will illustrate the various ways in which reporting is done in the future tense; present some examples of how it works (and where it fails); outline the constraints on this approach; and suggest some similarities with the SF prototyping process.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Johnson2011b,

title = {Love and God and Robots: The Science Behind the Science Fiction Prototype “Machinery of LoveGrace”},

author = {Brian David Johnson},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-99},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {99-127},

publisher = {IOS Press},

abstract = {This paper is an introduction to the short story and science fiction prototype The Machinery of Love and Grace. We cover a brief overview of the goals of science fiction prototyping as well as an example for how both Albert Einstein and Sigmund Freud used a very similar process to achieve greatness in their work. Finally we look into the specific science behind the story The Machinery of Love and Grace and conclude with the full story.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Egerton2011,

title = {Jimmy: Searching for Free-Will (A Competition)},

author = {Simon Egerton and Marc Davies and Brian Johnson and Vic Callaghan},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-128},

year  = {2011},

date = {2011-07-01},

urldate = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {128-141},

publisher = {IOS Press},

abstract = {In this invited paper we describe a competition that aims to engage a wide section of society in the exploration of the future nature of technology. In particular the competition will examine one of the most controversial aspects of Artificial Intelligence, specifically the concept of freewill. What is freewill? Can machines achieve it? What are the consequences for society should that happen? These are just some of the tantalising questions that flow from such a vision. For this competition, we roll back to a more basic stage and explore the basic issues of trying to construct a robot controller that displays behaviour that is analogous to freewill. We do this by offering a set of online tools that enable participants in the competition to create a bespoke controller for a simulated robot “Jimmy”; a waiter working in a futuristic bar set in a virtual world. This paper explains the motivation, design, implementation and rules for this competition},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Appleby2011,

title = {When Authors and Scientists Collide Invited Talk},

author = {Robert Appleby},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-142},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {142},

publisher = {IOS Press},

abstract = {‘When it changed’ and ‘Litmus’ have been two recent book projects from Comma Press, which brought together authors and scientists to produce anthologies of science-based short stories. Each story arose from the direct collaboration of one author and one scientist, and each was followed by a discussion of the motivating science. In this talk I will describe the interaction between myself as a scientist and two of the authors, our process of figuring out how to work together and the science of the two stories produced.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Graham2011,

title = {Interaction Space},

author = {Gary Graham},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-145},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {145-154},

publisher = {IOS Press},

abstract = {In this Science Fiction prototyping article I present a future proposition of people interacting with technologically-designed or socially engineered producer entities. Entities customized specifically to solve complex societal problems. It is within this consumption/production interaction space that I propose that entrepreneurs will be able to exploit high revenue streams and develop business models and value chains from their innovations. I explore the concept of interaction space entities by means of a fictional reflection of how life might be in the interaction space in the future through two vignettes and a factual discussion of the research inspiring these views.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Wu2011,

title = {The Spiritual Machine},

author = {Hsuan-Yi Wu and Vic Callaghan},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-155},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {155-166},

publisher = {IOS Press},

abstract = {In this Science Fiction Prototype (SFP) we explore the evolving relationship between technology and people. We do this by considering what may seem to be two irreconcilable aspirations of the human condition; the desire for utilizing ever increasingly sophisticated technology in our life whilst at the same time preserving the spiritual values that make us human. Superficially it would seem that these two forces in our life are pulling us in opposite directions. Can the forces of technology and spirituality be balanced in modern life? To investigate this issue we invent a future in which nano-computing technology is available for sale in many forms. One form is smart-paint called “iSkin” which, when painted on surfaces, turns them into interactive multi-media mediums. The characters in this story use this “magical” paint to create an immersive reality environment, the “WonderHome” in which reality and virtuality become confused in an intoxicating mix of sensory experiences that causes a madness known as “Obsessive-Compulsive Technophilia Disorder (OCTD)”. In the story a cure to this emerges in the form of the ancient Chinese practice of Chan, a form of Buddhism.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Bostanci2011,

title = {Living the Past in the Future},

author = {Erkan Bostanci and Adrian F. Clark},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-167},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {167-172},

publisher = {IOS Press},

abstract = {This paper presents two fictional stories describing an augmented reality system that helps users learn history in an entertaining way. A complete impression of the surrounding environment is achieved by virtual human agents with sophisticated AI and thorough interaction with other users.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kovalchuk2011,

title = {The Ministry of Interfaces (Doors)},

author = {Yevgeniya Kovalchuk},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-173},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {173-184},

publisher = {IOS Press},

abstract = {For those, who measure the length of their lives in numbers of experiences instead of years lived; for those, who strive to pack the knapsack of their lives optimally, maximizing its utility. Interfaces can help to go beyond the traditional trio of body, mind, and spirit serving as doors connecting them. These doors, however, could allow for an unauthorized entry and pose threat to our safety, if not designed or protected properly. This science fiction prototype allows the reader to peep through one of the doors, imprudently left opened by someone from the era of Halls \textendash the era that followed the times of virtual reality, computer games, and the Internet.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kym\"{a}l\"{a}inen2011,

title = {Song of Iliad},

author = {Tiina Kym\"{a}l\"{a}inen},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-795-6-185},

year  = {2011},

date = {2011-07-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {185-196},

publisher = {IOS Press},

abstract = {The short story “Song of Iliad” describes a future music therapy “performance space” in which children around the globe create music together, form a band and perform for others. The story encapsulates the human-driven design approach and presents an example of how future design processes might exploit emotion-driven design in creating highly personified products and services.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{McBride2011,

title = {Meltdown},

author = {Neil McBride},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-209},

doi = {10.3233/978-1-60750-795-6-209},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {209-218},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Grian2011,

title = {The Lonely Companion},

author = {Hazel Grian},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-197},

doi = {10.3233/978-1-60750-795-6-197},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {197-208},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Lee2011,

title = {Schrodinger's Notebook},

author = {Clarissa Ai Ling Lee},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-322},

doi = {10.3233/978-1-60750-795-6-322},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {322-333},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Hales2011,

title = {The Decadence of Mimetic Science: Against Nature 2.0},

author = {Derek Hales},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-312},

doi = {10.3233/978-1-60750-795-6-312},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {312-321},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Scholz2011,

title = {Half a Century of Renovating},

author = {Markus Scholz and Yong Ding and Predrag Jakimovski and Hedda R. Schmidtke},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-301},

doi = {10.3233/978-1-60750-795-6-301},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {301-311},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Peldszus2011,

title = {Surprise Payload Rack: A User Scenario of a Conceptual Novelty Intervention System for Isolated Crews on Extended Space Exploration Missions},

author = {Regina Peldszus},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-290},

doi = {10.3233/978-1-60750-795-6-290},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {290-300},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kera2011,

title = {Social Stomach: Performative Food Prototypes},

author = {Denisa Kera and Marc Tuters},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-279},

doi = {10.3233/978-1-60750-795-6-279},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

journal = {Workshop Proceedings of the 7th International Conference on Intelligent Environments},

issue = {July},

pages = {279-289},

publisher = {IOS Press},

abstract = {" Social Stomach " is a series of social, textual and " performative " or diogetic prototypes [1] that rethink the relation between food and technology and experiment with future metabolic exchanges that are biological, technological and political at the same time. Eating in this project represents the ultimate form of " cosmopolitics " [2], an ideal ground for design experiments with temporary assemblages of heterogeneous actors and forces that define society immersed in emerging technologies and changing scientific paradigms. From global supply chains to bodily metabolic exchanges eating involves political, technological, biological but also social acts that cut across various scales and form complex systems of relations and interdependencies. American fast food soliloquies, communal and family organized meals, the street-food culture of Singaporean " hawker " stalls, European restaurant enclaves for small elites and community pubs represent the complex relation between technological, political and economic systems involved in eating. These eating practices and systems are changing nowadays with the rise of social media, new scientific knowledge related to food and health but also global issues surrounding food security and justice. By studying niche communities organized around novel food and eating practices but also hacked, DIY tools for cooking, we can understand and rethink further what is at stake in today's food politics and how to define our social stomach. .},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Tassini2011,

title = {The Magician's Assistant},

author = {Kevin Tassini},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-267},

doi = {10.3233/978-1-60750-795-6-267},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {267-278},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{McCullagh2011,

title = {Internet of ‘Mysterious’ Things},

author = {Paul McCullagh},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-255},

doi = {10.3233/978-1-60750-795-6-255},

year  = {2011},

date = {2011-01-01},

urldate = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {255-266},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Jiang2011,

title = {Happy Eggs},

author = {Xinyi Jiang},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-243},

doi = {10.3233/978-1-60750-795-6-243},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {243-254},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Moores2011,

title = {Nickelbricking - Based on a TV show developed by Sleepydog Limited},

author = {Toby Moores and Mike Atherton},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-231},

doi = {10.3233/978-1-60750-795-6-231},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {231-242},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Kultys2011,

title = {The End of Hearing},

author = {Marek Kultys},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-795-6-219},

doi = {10.3233/978-1-60750-795-6-219},

year  = {2011},

date = {2011-01-01},

booktitle = {In Proceedings of the 2nd International Workshop on Creative Science \textendash Science Fiction Prototyping for Technology Innovation (CS'11)},

pages = {219-230},

publisher = {IOS Press},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Shedroff2010,

title = {Make It So: Learning From Sci-Fi Interfaces},

author = {Nathan Shedroff},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-639-3-192},

year  = {2010},

date = {2010-07-01},

booktitle = {In Proceedings of 1st International Workshop on Creative Science \textendash Science Fiction Prototyping for Research Innovation (CS'10)},

pages = {192},

publisher = {IOS Press},

abstract = {Interfaces from Sci-Fi films offer examples to real world issues that are humorous, prophetic, inspiring, and practical to interaction designers. Sci-Fi interfaces are both fun, inspiring examples and reflections of current interface understanding. Production designers are allowed to develop “blue-sky” examples that, while lacking rigorous development with users, coalesce influential examples for practicing designers that are humorous, prophetic, inspiring, and useful. Interaction Designers can learn can learn from these examples. This presentation will describe some of the insights found by the presenters and lessons all designers can take back to their practices, including: a) Sci-Fi interfaces allow us to see current issues from fresh perspectives; testing design techniques we don't always expect (such as size relationships reinforcing social hierarchy in holography) but are, nonetheless, applicable to current work b) Dramatic tension often destroys otherwise thoughtful interfaces and c) Sci-Fi can be a design tool},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Callaghan2010,

title = {Tales From a Pod},

author = {Vic Callaghan},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

url = {https://ebooks.iospress.nl/doi/10.3233/978-1-60750-639-3-223},

doi = {10.3233/978-1-60750-639-3-223},

year  = {2010},

date = {2010-07-01},

urldate = {2010-07-01},

booktitle = {In proceedings of 1st International Workshop on Creative Science \textendash Science Fiction Prototyping for Research Innovation (CS'10)},

pages = {223-232},

publisher = {IOS Press},

series = {Ambient Intelligence and Smart Environments},

abstract = {In this Science-Fiction Prototyping article, I present an imaginative forward look at how artificial intelligence and virtual environments might change the nature of future education. The discussion is intended to be a somewhat speculative and thought-provoking journey into what may be possible. At its root, it imagines a future time when the technological singularity has been reached, and machine intelligence and interaction are equal to or surpasses that of people. I do this by means of a fictional reflection on how life might be in the future, a set of four small vignettes and a discussion of the factual research inspiring these views.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{Johnson2010b,

title = { Science Fiction for Scientists!! An Introduction to SF Prototypes and Brain Machines},

author = {Brian David Johnson},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-639-3-195},

year  = {2010},

date = {2010-07-01},

urldate = {2010-07-01},

booktitle = {Proceedings of the 1st International Workshop on Creative Science \textendash Science Fiction Prototyping for Research Innovation (CS'10)},

pages = {195-203},

publisher = {IOS Press},

abstract = {This paper describes the process of Science Fiction (SF) prototyping as a design tool. An overview of the SF prototyping process is given, followed by a brisk overview of the relationship between science fictiona dn science fact as see in fiction, movies and comic books. Finally we finish up by discussion a specific SF prototype, the research and writings that fed into the process and the outcomes from the application and use. This paper should be read in conjunction with the short story Brain Machines (also included in this edition).},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{nokey,

title = {Brain Machines},

author = {Brian David Johnson},

editor = {Vic Callaghan and Simon Egerton and Brian David Johnson},

doi = {10.3233/978-1-60750-639-3-204},

year  = {2010},

date = {2010-07-01},

booktitle = {In Proceedings of 1st International Workshop on Creative Science \textendash Science Fiction Prototyping for Research Innovation (CS'10)},

pages = {204-220},

publisher = {IOS Press},

abstract = {This story is a Science fiction (SF) prototype and serves as an example application of the process of Science Fiction (SF) prototyping as a design tool. This story should be read in conjunction with Science Fiction for Scientists!! An Introduction to SF Prototypes and Brain Machines (also included with this edition). A brief epiloge follows the story, explaining the implications and results of the story on the original research upon which it was based, giving the scientists an innovative tool to continue their development. Illustrations by WinkStink.},

keywords = {Science Fiction Prototyping},

pubstate = {published},

tppubtype = {inproceedings}

}